“There” is the long-waited 2nd album of The fin., indie band born in Kobe.

First release since they chose London as a base, the album has benefited from the location : the production was done at Dean Street Studio by none other than Bradley Spence, well known for his works as a producer for Jamiroquai, Passenger or Alt-J and for his mixing for Radiohead. The mastering has been once again handled by Joe Lambert, who has worked with big names such as Beach Fossils, Wild Nothing, Washed Out or Warpaint. Among the 13 tracks of the album figure “Pale Blue”, “Afterglow” and “Outskirts”, 3 songs whose earlier release on streaming platforms have quickly drawn attention all over the world and led them to get selected on some of the hottest new tracks playlists, such as UK’s and France’s Spotify’s “New Music Wednesday”. The album also includes new versions of “Through The Deep” and “Heat”, two songs featured on their EP released in March 2016 that have been re-mixed and re-arranged in London for the occasion.